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Oh god
The god I grew up with was the Catholic God: all-knowing, all-powerful, fierce in his retribution and tender in his forgiveness. The gods I spend my time with these days are a whole other ball of wax. Petty, self-indulgent, more interested in a game of mahjong than the plight of mere mortals. Meet the Chinese…
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Max Lazerich
Max Lazerich is the star of the final volume of my Shanghai Quartet. And yet, so far, he’s played a relatively minor role. In The Dancing Girl and Turtle, Max is Kang’s workmate and improbable friend. He’s an even more unlikely love interest for the cook Jin. By the time Peace Court and Laogai, the…
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Getting to Know You
When I write fiction, I have no idea where the story will end. Something sparks my imagination ⏤ an overheard conversation or an image glimpsed from a train window. Maybe I can sense already the character I want to portray. I might have a general direction of where that character will go. Or not. By…
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Chain Reaction
The Shanghai Quartet is going to be my magnum opus: four interlocking novels spanning a quarter century of Chinese history. Volume one was my my debut novel, The Dancing Girl and the Turtle. I’ve just finished the manuscript for volume two, Peace Court. While I await feedback from my beta readers, my mind wanders to…
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Uighur
The third volume of my Shanghai Quartet is set in a Chinese labor camp. Laogai will be a series of interlocking short stories of the men incarcerated in that place. The jailers and the jailed, the victims and the perpetrators. One of the prisoners I’ve simply called the Uighur. He works as an enforcer for…
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Rewriting History
Last month, I gave a master class on novel writing at the International Writers’ Collective. Because my debut novel is set in Shanghai 1937, we spent a little time talking about the historical research that went into The Dancing Girl and the Turtle. Out of fear of disappearing into the research rabbit hole, I decided…
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Bonsai
Bonsai seems like such an obvious metaphor for editing a novel manuscript. The tiny tree, tweaked and twisted to look like the real thing, just as a novel strives to mimic life. When I think of bonsai, I’m whisked back to a Zen temple complex outside of Tokyo. It’s early in the morning and the…
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The Smell of Opium
Max Lazerich is 16 years old when he runs away from home. He doesn’t want to work in his father’s soda shop. He won’t take school seriously. His dream is to see the world and so he does. The Smell of Opium is my novel-in-progress about a naive Jewish kid from New Jersey coming of…
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Mind Map
This is the map into my interlocking novels, The Shanghai Quartet. It’s a bulletin board my husband made for me, 6 feet wide and 4 feet tall. The backdrop is a map of modern Shanghai, enlarged many times over, onto which I’ve pasted the street names in use when this was Old Shanghai. Onto that…
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Laogai
Laogai will be the third volume of The Shanghai Quartet and its star will be Song Kang. We first see Kang in The Dancing Girl and the Turtle as the returned student, the prodigal son, called back from America to care for his ailing sister Anyi. Eighteen years later, we meet him again. He’s in…