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China Craft The Shanghai Quartet

Oh god

The god I grew up with was the Catholic God: all-knowing, all-powerful, fierce in his retribution and tender in his forgiveness. The gods I spend my time with these days are a whole other ball of wax. Petty, self-indulgent, more interested in a game of mahjong than the plight of mere mortals. Meet the Chinese […]

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Jewish Shanghai The Shanghai Quartet

Max Lazerich

Max Lazerich is the star of the final volume of my Shanghai Quartet. And yet, so far, he’s played a relatively minor role. In The Dancing Girl and Turtle, Max is Kang’s workmate and improbable friend. He’s an even more unlikely love interest for the cook Jin. By the time Peace Court and Laogai, the […]

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Craft The Shanghai Quartet

Getting to Know You

When I write fiction, I have no idea where the story will end. Something sparks my imagination ⏤ an overheard conversation or an image glimpsed from a train window. Maybe I can sense already the character I want to portray. I might have a general direction of where that character will go. Or not. By […]

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Craft Laogai The Shanghai Quartet

Chain Reaction

The Shanghai Quartet is going to be my magnum opus: four interlocking novels spanning a quarter century of Chinese history. Volume one was my my debut novel, The Dancing Girl and the Turtle. I’ve just finished the manuscript for volume two, Peace Court. While I await feedback from my beta readers, my mind wanders to […]

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Chinese prisons The Shanghai Quartet

Uighur

The third volume of my Shanghai Quartet is set in a Chinese labor camp. Laogai will be a series of interlocking short stories of the men incarcerated in that place. The jailers and the jailed, the victims and the perpetrators. One of the prisoners I’ve simply called the Uighur. He works as an enforcer for […]

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Craft Creative writing workshops The Shanghai Quartet

Rewriting History

Last month, I gave a master class on novel writing at the International Writers’ Collective. Because my debut novel is set in Shanghai 1937, we spent a little time talking about the historical research that went into The Dancing Girl and the Turtle. Out of fear of disappearing into the research rabbit hole, I decided […]

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Craft Japan The Shanghai Quartet

Bonsai

Bonsai seems like such an obvious metaphor for editing a novel manuscript. The tiny tree, tweaked and twisted to look like the real thing, just as a novel strives to mimic life. When I think of bonsai, I’m whisked back to a Zen temple complex outside of Tokyo. It’s early in the morning and the […]

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Historical fiction Jewish Shanghai Shanghai The Shanghai Quartet

The Smell of Opium

Max Lazerich is 16 years old when he runs away from home. He doesn’t want to work in his father’s soda shop. He won’t take school seriously. His dream is to see the world and so he does. The Smell of Opium is my novel-in-progress about a naive Jewish kid from New Jersey coming of […]

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Craft Shanghai The Shanghai Quartet

Mind Map

This is the map into my interlocking novels, The Shanghai Quartet. It’s a bulletin board my husband made for me, 6 feet wide and 4 feet tall. The backdrop is a map of modern Shanghai, enlarged many times over, onto which I’ve pasted the street names in use when this was Old Shanghai. Onto that […]

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Craft poetry Revolution The Shanghai Quartet

Laogai

Laogai will be the third volume of The Shanghai Quartet and its star will be Song Kang. We first see Kang in The Dancing Girl and the Turtle as the returned student, the prodigal son, called back from America to care for his ailing sister Anyi. Eighteen years later, we meet him again. He’s in […]